The comprehensive collection of essays and literary critiques by renowned author Qian Zhongshu presents a fascinating insight into his intellectual pursuits and engagement with English literature. The book commences with a Preface, where he introduces the themes and purpose of his writings.
In "Pragmatism and Potterism," Qian delves into the philosophical underpinnings of pragmatism and its relevance to his literary analysis. Book Note I and Book Note II offer critical annotations on European novels and their authors, showcasing his deep understanding of world literature.
His exploration of "Old Chinese Poetry" reflects his extensive knowledge of classical Chinese literature, while "Great Europan Novels and Novelists" highlights his admiration and critique of modern European literary works. "Myth, Nature, and Individual" explores the intricate relationship between these elements in his literary theory.
A Critical Study of Modern Aesthetics and "Apropos of the 'Shanghai Man'" delve into the aesthetics of his time and the portrayal of Chinese characters in literature. "A Chapter in the History of Chinese Translation" delves into the history and evolution of translation, reflecting his commitment to cross-cultural exchange.
From a personal note on Su Tung-P'o's prose-poetry in "Foreword to the Prose-poetry of Su Tung-P'o" to his examination of tragedy in ancient Chinese drama, Qian's work is a nuanced reflection of his literary interests. His correspondence with editors further reveals his scholarly engagement with literary discourse.
The book also features critical notices on various literary works, including "The Return of the Native," and a note on Wu Mi's poetry. Qian's exploration of Chinese literature in the 17th and 18th centuries underscores his appreciation for historical context. His comprehensive approach to literary criticism is evident in "Classical Literary Scholarship in Modern China" and "The Mutual Illumination of Italian and Chinese Literature."
Appendices include a letter to Donald Stuart, a contribution from G.Dudbridge, a speech given by Qian himself, and an opening address to the First Sino-American Symposium on Comparative Literature, demonstrating the depth and breadth of his contributions to comparative literature.
